Early Works 1998-2003, by The Slasher Film Festival Strategy

Early Works 1998-2003

by The Slasher Film Festival Strategy

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1.	Eyes 02:34	info	buy track
2.	Corpse Pile 02:34	info	buy track
3.	Sewer Tunnel 05:39	info	buy track
4.	November 24, 1946 01:00	info	buy track
5.	Day of the Triffids 01:10	info	buy track
6.	These Short Breaths 01:57	info	buy track
7.	Venom of the Virgin Unicorn 04:47	info	buy track
8.	The Devil's Daughter 03:27	info	buy track
9.	Paul Owen's Last Five Minutes Alive 03:00	info	buy track
10.	Deathbed Conversion 02:24	info	buy track
11.	Flight of the Pegasus 03:07	info	buy track
12.	Razor Meets Flesh 04:59		buy track
13.	How Can I Finish the Job When I Am All Out of Bullets 02:33	info	buy track
14.	Mouth of Hell 01:09	info	buy track

about

Children of the Night 015 limited to 75 copies.

THE STORY.
The material on this cassette was recorded from early Summer 1998 through Spring of 2003. During this time The Slasher Film Festival Strategy released approximately 18 releases, several compilation appearances, the split with Bastard Noise, two collaborations with Bastard Noise and several standard tapes, cd-r’s and 3” cd-r’s. There were a small handful of other collaborations as well. The material herein is bookended by the original demo recorded in 1998 “Understanding the Human Mind” and ends with the “Dead Bodies” ep (Emerald City Ruins). SFFS has created music in a variety of genres since its inception, primarily focusing on horror, science fiction and cinematic sounds, but also industrial, dark ambient, drone and experimental. There are several power electronics releases not included in this collection. I have attempted to limit the material to mainly the shorter more cinematic pieces.

The material is raw, crude, rarely rehearsed and often times poorly recorded. The gear was cheap, problematic and the technology primitive. I have made no effort to edit or “clean up” these recordings. The intent of this is simply to archive some of the material as it was and not attempt to recreate or reimagine the work. Some tracks end abruptly, some tracks are louder than others, some have tape hiss or tape warble, others may have abrupt sounds at the beginning or endings of the track. Thanks for sitting through this with me.

GEAR/SOUND USED:
Yamaha DX-21 , Roland Juno-60, Realistic MG-1, Boss Dr. Rhythm 660, Boss SP-202, Boss DS-1, DOD FX65, DOD FX86, Boss PS-3, Boss TR-2, various guitars/amplifiers, field recordings, various electronic devices and probably a few items I can’t recall at this time.

credits

released May 12, 2015

Buy limited edition cassette here:
foreignsounds.storenvy.com/products/12774535-slasher-film-festival-strategy-early-works-1998-2003-cassette-cotn-015-ltd

All material by The Slasher Film Festival Strategy
Ian Morris appears on “Sewer Tunnel” & “Razor Meets Flesh”
Peter Cooper appears on “Day of the Triffids”

THANKS:
Ashley, Henley, Wood/BN, Barnes/AFC, Burke/Sinking Body, Cooper, Morris, Findlater, Whiteside, Williams, Emerald City Ruins & Liquid Death.

BE KIND TO ANIMALS.

CONTACT:
heavysleaze@gmail.com foreignsounds.com

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Foreign Sounds/Children of the Night image

Foreign Sounds/Children of the Night Richmond, Virginia

Foreign Sounds and sub-label Children of the Night focus on releasing black metal, dungeon synth, dark ambient and experimental hardcore. Formed in South Carolina in 2010, both labels began from the ashes of hardcore/power electronics label KFLR-USA that existed from 1995-2004. The label is based in the Richmond, Virginia label since 2017. ... more

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